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Enter Spring

GQ Spring Trend
GQ’s 2011 Spring Trend Report via GQ

by John Lockett

Most of sunny Florida experienced its first major spring rain today, which means it’s time for Vautour to start reporting on the season’s hottest fashion trends that go beyond rain boots and floral prints. From chinos to cardigans, and from shorts to dress shirts, our fashion team will analyze trends and help you pick out your perfect spring wardrobe.

GQ’s Jim Moore released his 2011 Spring Trend Report that featured some burgeoning looks along with well-established styles that have been slightly tweaked. Some highlights (pictured above) include dressier sports coats, tennis shorts, colored chinos, cardigans and just about anything red. There are, of course, classics that can never go wrong, like knit ties, short-sleeve oxfords, polos and loafers. And with fresh new styles comes the need to toss out some of the more dated, overdone looks: flip-flops, plaid shorts, pastels. You get the picture.

Each day this week, we’ll discuss some of these looks and fill you in on how you can best achieve them. In the meantime, try some stuff out on your own. Maybe you’ll be the next spring trendsetter.

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Ray-Ban Redux: Reworking the Wayfarer

Matte black Ray-Ban Wayfarers
Photo by John Lockett

by John Lockett

If you want to make a statement on a sunny day, nothing beats the timeless Wayfarer. Ray-Ban introduced this alternative to metal frame sunglasses in the early 1950s, and they have only occasionally waned in popularity. Despite briefly falling out of vogue in the 70s and 90s, these thick-rimmed glasses managed to define era after era since its inception.

Such mainstream style raises the question: Are Wayfarers overdone? Trite? Unoriginal? In some ways, yes. Hoards of poor replicas and knockoffs have cheapened the look, not to mention the bad rap Wayfarers have received at the hands of hipsters and fratty folk alike.

While Wayfarers are timeless, they have a tendency to get stale. I hate to say it, but there’s nothing more tired than glossy Black wayfarers, whether they’re the real deal or ripoffs from Chinatown.  Ridiculous colors like turquoise and hot pink aren’t helping either.

But there is hope.Black, blue and green wayfarers

Ray-Ban recently released a new, slightly slimmer Wayfarer aptly called the “New Wayfarer.” It gets better. You can get rubber crystal versions of the New Wayfarer in black, blue and green. They’re essentially matte finished frames in muted colors. The difference may be subtle, but the results are astounding.

In my opinion, the main objective of personal style is to stand out while feeling confident at the same time.  These Ray-Bans do just that. Not to mention they fit perfectly, snug around the ears and light on the nose. (Note: My head/face is average size. I think.)  The price is even better, only $120.

Matte black Wayfarers can be hard to come by. I made three trips to Sunglass Hut with no luck. The salesman said they typically only have one in stock, and it flies off the shelf. So they finally shipped me a pair, which only took a day before these spectacular shades made it onto my face. I haven’t taken them off since.

Not of fan of the matte colors? Go with tortoise shell. There’s nothing classier.

Wayfarer front view
Photo by John Lockett

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Zombie Boy

Zombie Boy Mugler Campaign

by Andrew Mundy | W. Coast Editor

Just about everyone has seen Rick Genest, the real life zombie of ink and flesh. Seriously, he’s a viral web sensation and, more recently, a fashion runway phenomenon. He’s even in Lady Gaga’s latest music video “Born This Way.” Who is this guy and, honestly, what exactly is going on here? Did he plan all of this, or is this guy just fucking nuts?

Rick Genest, or Rico, was a typical gutter punk from Montreal. Apparently a sweet boy, according to his mother, Rico left home after high school and waited to get his first tattoo until he was 16 out of respect for his parents. How darling.

His first step to extreme zombie makeover started with his hands. Like skeletal gloves, just a tad bit more permanent.

“They say that once you get your hands tattooed it’s harder to find a job,” Rico, now 25,  said in an interview with Bizarre Magazine.

Yeah, no shit Rico. Those permanent skeletal gloves ignited a $15,000 frenzy of constant tattoos funded by a job working in the circus while homeless. Times were tough for Rico, but this truly was his passion.

“They’ve been a part of me forever – before I even got them done. They reveal how I feel on the inside,” he said.

Zombie boy and Nicola Formichetti
Rico & Nicola

Nicola Formichetti, the new creative director of Mugler, apparently discovered a photo of Rico on Google and was intrigued by the inked anomaly. When Formichetti went in for his first tattoo, he was told that the guy in the photo was actually Rick Genest aka Zombie Boy from Montreal. Suddenly inspired by the revelation, he went home later that day and actually contacted Zombie Boy through Facebook.

When asked if he’d like to go to Paris for Mugler’s fashion run, Zombie Boy responded, “Yeah, sure, I would love to, but I don’t have a passport.” Not to mention Rico racked up tens of thousands of dollars in fines for sleeping on the street while homeless.

Beyond frustrated, Formichetti contacted his lawyers to figure out how to get his new biffle a passport in time for the show. A trip to Montreal and couple days later, Zombie Boy was headed to Paris.

“I remember thinking I have to do this, I just have a gut feeling, I have to work with this guy,” Formichetti said in an interview with Hint. “Everyone said he’s a freak, why would I want to do that to a luxury brand?”

Now the  face of Mugler’s new men’s line, Lady Gaga’s latest muse, and on-top of the world, Zombie Boy is living the good life. With plans to tattoo his eyes black and remove his ears and nose, we’ll see how far he’s able to go. Chances are, ain’t no grave gonna hold him down.

DUMBO: Beauty Between Two Bridges


by Britt Perkins

Had Scorsese known that the neighborhood now known as Dumbo was previously referred to as Two Bridges and Fulton Landing, the Lower East Side may have had competition for the setting of “Gangs of New York.” Alas, residents purposely uglified their neighborhood’s name to avoid being gentrified and thus priced out. Who would want to live in a place called Dumbo, they thought?

Actually an acronym for “Down Under the Manhattan Bridge Overpass,” Dumbo is nestled between the concrete and steel titans of the Manhattan and Brooklyn Bridges. The raw exterior that hearkens back to Dumbo’s not-too-distant industrial history possesses a rugged beauty. Artists and their galleries have sought refuge for more than 30 years within these concrete walls, thanks to a 1970s government-backed program to increase renters in the area.

Officially designated as a historic district in 2007 by the New York City Landmarks Preservation Committee, Dumbo is well worth exploring. The following are some places to start with.

(c) dumbonyc via Creative Commons


Store Hours
11:30 – 7:30 daily

Phone No.


The corner of Front & Pearl St (141a)
Brooklyn, NY 11201

Part design experiment, part boutique specializing industrial-inspired accessories, Stewart/Stand is a good spot to start off your day in Dumbo.

The Stewart/Stand Design store is located at the foot of the Manhattan Bridge near Brooklyn Bridge Park. Contemporary gifts featuring original products by Stewart/Stand, select Brooklyn, US & international designers.

Etsy Labs
(c) Margarida Sardo via Creative Commons

2. Get crafty: ETSY LABS

55 Washington Street, Suite 512, Brooklyn NY, 11201


Monday, 4 p.m. to 8 p.m.

This season it’s all about DIY and craft. Maybe you’ve been eyeballing some yarn or have an idea for a killer button, but you just don’t know where to start. Scratch that creative itch with an Etsy Craft Night.

The creative group has all of the supplies you will need to turn your childlike wonder into something tangible: perfect for gift-giving or fridge decorating.

Formed to bridge Etsy’s online sales platform for everything handmade with the local community, there is no experience or ability required to play at Etsy Labs.

blueberry macaroon
(c) Robyn Lee via Creative Commons

3. Sweet and Savory: ALMONDINE BAKERY

85 Water St (btwn Main St & Washington St)
Brooklyn, NY 11201

Phone No.


For the Goldilocks of breads and pastries, visiting Almondine Bakery is a must. Sweets done to perfection and croissants that stand alone or make a sandwich are what you’ll find. Quiche, soups and artisan American fare are served up for lunch or a latte and an eponymous “fancy patisserie” are delicious as a midday reprieve.

via Creative Commons

4. Big Course: SUPERFINE

126 Front St (between Adams St & Jay St)
Brooklyn, NY 11201

Phone No.

Nearest Transit
York St (F)
High St (A, C)

When your dogs are barking, relaxing with food, drink and ambiance is much-needed. Superfine serves it all up in a stimulating, modern atmosphere. Reds and oranges in just the right amount complement a variety of art that lends itself to a night that goes beyond your standard diner and dive bar.

Live entertainment and Mediterranean-American inspired flavors stimulate the palate in the later hours, but Superfine earns much of its reputation from its Sunday brunch.

St. Ann's Warehouse
(c) joel@eeriepa via Creative Commons

5. Main Event: ST. ANN’S WAREHOUSE

38 Water Street­ (at the corner of Water Street and Dock Street, opposite the entrance to Fulton Ferry State Park)

Phone No.
718.254.8779 or 866.811.4111


Throughout its eclectic, genre-bending history, St. Ann’s Warehouse has been consistent in one aspect: being at the forefront of the musical and theatrical avant-garde.

After 30 years, this season is no different. “Penelope” delves into the minutiae of the lives of four suitors to the eponymous queen waiting for her Homer to return from his odyssey. For a more overtly physical presentation, “Red Shoes” tells the story of a footwear obsession that goes from dancingly delightful to dangerous.

The warehouse space also provides a break from the vertigo and narrowness of Broadway seating to a more relaxed, modern community environment.

Map of Dumbo
A map of DUMBO

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Elizabeth Taylor: Death of a Hollywood Icon

Elizabeth Taylor

We’re saddened to hear Elizabeth Taylor has passed away. She embodied the golden age of Hollywood, an era that was glamorous and awe-inspiring in every way. Go to Vanityfair.com for an in-depth look at Taylor’s stellar career through enthralling articles and stunning photos. Here are a few of them.

Taylor Film
Film strips by photographer Firooz Zahedi via Vanity Fair.
July 2010 Vanity Fair Cover
July 2010 Vanity Fair Cover
Taylor in 1964 by Richard Avedon
1964. Photo by Richard Avedon

LA’s Season in Hell: The Devil’s Night Drive-In

Audience at the Devil's Night Drive-In
Smog and starlets. A typical evening at the Devil’s Night Drive-in. Photo by Paul Gronner

by Viola Jaster | Design Director/W. Coast Contributor

If it weren’t for the swarms of pedestrians crowding the sidewalks and the innumerable neon signs lighting the would-be shadowed corners abandoned by the setting sun, Downtown LA could easily pass for a post-apocalyptic ghost town. It’s dirty. It’s dilapidated. It’s dangerous. It’s everything your mother warned you it would be and nothing like it’s glowingly portrayed on the silver screen.

Homeless people sit propped against graffitied walls and stare empty-eyed at their tattered shoes, while self-important nobodies walk past talking obnoxiously on their cell phones. Around you, every inch of visible space seems to be trying to sell you something. It’s as if the city were a black hole that feeds on everything pure and uncorrupted, and you’re being unwillingly sucked in just by looking at it.

It is in the heart of this bustling, befouled metropolis that the makeshift venue known as Devil’s Night Drive-In puts down stakes to project monthly displays of cult classic films for the ready and willing eyes of both dedicated fans and curious first-timers.

The venue itself is nothing special—it’s just a plain two-story parking lot—but the atmosphere created and recreated every month by both patron and proprietor is something to be noted.

Drive-in logoBacked by a veritably awesome soundtrack broadcasted over shortwave radio by virtue of Devil’s Night, the masses of inked-up moviegoers babble and binge on both homemade delights and those provided by Devil’s Night. Delivered via derby girl car-side service, vittles include your garden-variety movie theater fare: popcorn, nachos, hotdogs, and assorted beverages and sweets. As well as something listed as the “Chef Boyardouche Special,” but I’m not entirely sure what that consists of.

The combination of music, eats, and conversation supplied by the cornucopia of like-minded strangers, paired with the picturesque backdrop of historic buildings drenched in tasteful streams of light, make for a somewhat heavenly scene. The only thing that could possibly make the experience better is if the smoggy night sky, faintly aglow with pollution, were replaced with starry heavens.

But, alas, when the clock strikes the appointed hour and everyone retreats to the comfort of their respective cars and seats atop the tarmac, the surroundings become peripheral as the principal attraction (the movie) begins.

Devil’s Night prides itself on showcasing films that have a rabid, though limited, fan following, a luxury not afforded by the majority of movie theaters today—indoor or drive-in.

In fact, the entire operation is a complete contradiction. Within the confines of the world capital of pop culture production, they broadcast the alternative. With past showings that include Pulp Fiction, The Warriors, Donnie Darko, The Lost Boys, and Pee Wee’s Big Adventure, Devil’s Night is like the Underground Railroad for subversive cinema: They take in virtually forgotten classics and give them a new home.

Audiences come for the experience of watching a movie outdoors and in the company of friends—a component of Americana missed out on by much of today’s youth—and leave either with a newly found admiration for some unconventional little cult classic that had previously alluded them or with a renewed love for an old favorite.

So go, park, eat, converse, and enjoy a nice bit of cinema under the stars—smog covered though they may be.

Devil’s Night Drive-In

240 W. 4th St. (at Broadway)
Second Floor Roof Parking Lot

Price: $10.00

Summer 2011 Schedule:

April 9 – Trainspotting

May 14 – Grease II

May 28 – Lolita (Kubrick)

June 11 – Dirty Dancing

June 25 – E.T. (Family Night)

July 9 – Anchorman: The Legend Of Ron Burgundy

July 25 – People’s Choice (See website for choices)

August 27 – Bill & Ted’s Excellent Adventure

September 10 – The Usual Suspects

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Give me Justice!

by John Lockett

Justice exploded onto the scene in 2003 with their Simian remix “We are Your Friends,” solidified themselves as electro-rock gods comparable to Daft Punk after their debut album “†” was released in 2007, then vanished from the radar, a flash of brilliance with the staying power of a spark.

Xavier de Rosnay and Gaspard Augé, the French duo behind the band, rode the success of their first album for nearly two years. They released a live album and documentary dubbed “A Cross the Universe,” at the end of 2008 that captured the raw, unbridled energy of their sets and their rock-n-roll lifestyle.

Their songs, which rattled the foundations of nightclubs around the world, were catchy while being difficult to listen to.The purely electronic tracks possessed a certain finesse while being somewhat unrefined. They were obviously inspired by the forefathers of the genre, Daft Punk, but the tunes turned out by Justice were fueled by energy that could hardly be contained by any speaker system.

Then there was nothing.

After touring for a few years and releasing a couple remixes, the highly anticipated follow up album never surfaced. There was speculation that Justice was going to produce a Red Hot Chili Peppers record, but that rumor never came to life. As the ongoing tides of music continued its brutal cycle, Justice seemed to fade away.Justice's New Single Photo Announcement

Then there was light.

It may have only been a flicker of light, but something was happening. On March 11, Justice posted a cryptic picture on their Facebook page, the only web presence they have. The spark set off so many years ago burst into a wildfire of excitement and anticipation. Fans echoed the enthusiasm of Antoine Clips who commented “OH MY F—– GOD.”

Following the epic post of a toppled-over stone cross glowing in a desert, Justice made an announcement:


…First single of Justice’s upcoming album

They were back.

Soon after, Adidas released a commercial featuring the new single. The advert was directed by their old cohort Romain Gavras who directed  “A Cross the Universe” and the music videos for “Stress” and M.I.A.’s “Born Free.” Katy Perry and B.O.B make appearances as the track beats onward through Gavras’ trademark grittiness.

“Civilization” is everything you’d want from Justice. It ‘s guttural. Heavy. A song you can definitely bang your head to. But it’s nothing really different. Their signature overdrive and disco influences are still there with a few flashes of new sounds. Still, it’s what we want to hear. It’s what we’ve been waiting for.

For now, their new album remains a mystery. “Civilization” will be released April 4 and is available on Youtube . Until then, brace yourself. Once Justice unleashes the floodgates, get ready to D.A.N.C.E.


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Fear and Loafing

Suede loafers from Aldo. Photo by John Lockett

by John Lockett

I was somewhere around Barstow on the edge of the desert when my love of loafers began to take hold.

By Ralph Steadman

It was a long journey from loathing to loving these stylish slip-ons. I always thought they looked hideous, mainly because seeing a pair would conjure up images of the ratty black penny loafers my dad wore to church when I was a kid. It doesn’t help that my exposure to shoes while going to high school in Niceville consisted of Rainbow flip-flops and nothing else.

Needless to say, my taste in footwear was limited from an early start. But after interning at the Mecca of fashion last summer, I finally realized how genius, practical, and stylish loafers really are. And they’re not only for the sartorially inclined.

Loafers will probably be the easiest pair of shoes you’ve ever owned. They’re perfect for slipping on when you’re in a hurry, but you still want to look good. You can wear them with virtually anything, from shorts and a t-shirt when you’re on your way out to enjoy all that spring has to offer, to a formal suit when you’re going in for an interview or going out with your girl. Socks are never required. And above all, they stay in prime condition with little care. Unless you’re in the middle of a savage journey to the heart of the American Dream.

They come in all sorts of colors, textures and designs, so it may be daunting picking your first pair. Take my advice: start simple –dark brown suede or leather, no frills—get used to them, then move on up to something a little more bold and daring. Like these Tom Ford loafers below. Aldo offers a wide variety at affordable prices. My first pair cost  only $45 on sale. It’s well worth it considering all the compliments you’ll receive.

In case you were wondering, all these “Fear and Loathing” references are a tribute to Hunter S. Thompson, who set out on his infamous Las Vegas adventure 40 years ago today.

“Some may live, but the crazy never die.” -HST

Tom Ford Shoes
From Tom Ford’s “Made to Measure” collection.

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The Life Aquatic with Michael Bastian

Runways still and moodboard
A couple runway stills from Michael Bastian’s S/S ’11 collection and the moodboard. Photos from Michael Bastian and Details.

by John Lockett

It’s fair to say that the world of men’s fashion in America is dominated by dusty old relics. Ralph Lauren. Tommy Hilfiger. Calvin Klein. Don’t get me wrong, they’re amazing designers and brands that rightly deserve credit for their impact on fashion. But in this day and age, one man stands above the rest in terms of American menswear: Michael Bastian.

Michael Bastian S/S 11 Collection Image
Photo from michaelbastiannyc.com

Bastian, who was just nominated for the CFDA menswear designer of the year, is a genius when it comes to designing preppy rags that reek of good ol’ Americana. Launched in 2008, his past collections were created around red-blooded themes such as backwoods America and Kerouac’s beat manifesto On the Road. Nearly all his clothes feature a military undercurrent, embracing masculinity to its fullest.

Bastian’s S/S ’11 collection was inspired by Jacques Cousteau and his crew of French sailors who explored all corners of the ocean in the 70s and 80s. He also drew references from the Navy Seals, going back to Bastian’s ongoing military influence. The 41 pieces showcased during Fashion Week last fall were nautical in every sense of the word, but not like most summer collections that tend to have more of a beachy So-Cal or Mediterranean vibe. Bold shades of yellow and orange are used in subtle ways (except for the canary yellow raincoat and pants). Even his interpretation and use of wetsuits is remarkable.

Perhaps the greatest thing about Bastian’s newest collection is how it remains quintessentially Michael Bastian. The man knows how to keep classic preppy alive, without letting it get stale. He emphasizes the importance of quality materials coupled with flawless tailoring. While his pricey, self-titled label may not be financially accessible to most (including Bastian, himself, according to a recent article by Esquire) his partnership with GANT offers clothes that are just as nice, but more affordable (still pretty expensive though).

Although Bastian’s CFDA nom means he’s an established designer in the fashion world, he has yet to become a household name. But keep an eye out for this guy. Before you know it, he’ll be up there with those other influential old relics we all adore. Dust and all.

Help Japan Now

Help Japan print by James White

The disaster in Japan is beyond words. While the media here focuses on nuclear fallout and destruction, please take the time to think about all the lives affected and those lost.

Though the Japanese are strong, resilient people who have overcome some of the worst tragedies in history, we shouldn’t let them face this crisis alone.

iTunes has made it easy to donate to the American Red Cross. All it takes is a couple clicks to make a difference. You can also go directly to the Red Cross Web site at www.redcross.org or the Google Crisis Response Web page for more information on how you can help.

The print above was designed by James White and can be ordered here. All proceeds will go to disaster relief. Check out more creative and heart-wrenching designs at Design Crush.

Thank you.